When Sophia Peabody met Nathaniel Hawthorne at her home in Salem, Massachusetts, he had little to offer but his Byronic good looks. He had published two books, but they brought him neither fame nor fortune, and at age 33, he had run out of ideas and motivation.
The William Munroe Special Collection’s mission is to understand and appreciate Concord’s history and culture. One unique collection administered by Special Collections is the Renee Garrelick Oral History Program (also known as the Concord Oral History Program). Its recordings and transcripts add a unique voice to Concord’s storied past.
Under the direction of Marjorie Garrard, in 1976, the Town of Concord’s Historical Commission established an oral history sub-committee “to coordinate and carry out a program for the collection of an oral history of the Town. A large number of residents of diverse backgrounds and interests will eventually be contacted and asked to respond to this program by recording their recollections of the Town as it was.” By 1977, local historian Renee Garrelick had already recorded 30 interviews, which the Commission reported, “are highly professional and the beginning of fulfilling a longtime goal of the Commission and other local historians.”
Ellen Tucker Emerson was the second child and eldest daughter of Ralph Waldo Emerson and Lidian Jackson Emerson. Born on February 25, 1839, she was named after Emerson’s first wife, Ellen Tucker, who was deceased.
Emerson understood the importance of education for all and ensured that Ellen was well schooled by educators, including Elizabeth Cary Agassiz, wife of biologist Louis Agassiz and a dedicated teacher who became the first president of Radcliffe College; Franklin Sanborn, Concord educator and one of abolitionist John Brown’s “secret six;” and Elizabeth Sedgwick, who founded the Sedgwick School for Young Ladies in Lenox to enable girls to expand their knowledge. By the time Ellen’s formal schooling ended in 1858, she was able to speak and translate French and German, capabilities she was able to draw on for the rest of her life.
Concord has a reputation for producing people of radical ideas, justice, and bravery. From the minutemen of the American Revolution to transcendentalist writers like Henry David Thoreau and Ralph Waldo Emerson, the town of Concord has an ability to grow a sense of social justice in all its citizens. The story of Ellen Garrison Jackson Clark, an African American woman born and raised here in Concord who went on to fight for freedom at a national level, is a less well-known example—an injustice that The Robbins House and the Concord Museum are seeking to rectify.
The focal point of Concord’s historic Monument Square is the Civil War Monument. A bronze plaque on the obelisk honors the names of 48 local men who lost their lives in the Civil War; however, 49 Concord men paid the ultimate price. Private George Washington Dugan’s name is missing.
Concord usually gets attention for its past. Even Louisa May Alcott worried that her town was “degenerating into a museum of revolutionary relics.” She, of course, belonged to an intellectual event that gave a second chapter to Concord’s celebrated history, but the Concordian of today is liable to feel that everything great belongs to the past.
In 1976, Concordians and school administrators Barbara Elliot and Janet Jones published the text Concord: Its Black History, 1636-1860 through the Concord Public Schools. The text included photos of Black and White children visiting places associated with 19th century [and earlier] Black residents.
It was cold outside, but the glowing fire in the brick oven warmed the kitchen as Elizabeth busied herself baking the week’s bread for her enslavers, Col. John Ashley and his wife Hannah. Her younger sister Lizzie, also enslaved in the Ashley household, was too frail for heavy labor, so she watched as Elizabeth stirred the fire with an iron shovel. A
To visit The Old Manse – an elegant, thirteen-room colonial built on the banks of the Concord River in 1770 – is to experience pivotal moments in our nation’s history.
The Umbrella Arts Center has set the stage for a bold season of artistic and cultural programs exploring the experience of being Black in America, yesterday, today, and tomorrow.
